One of the many things we work on at MAA is the power to suggest without showing, the power of the invisible. How can I create the impression of something with the least possible information? Not only is it a matter of being more efficient by saving unnecessary information and time, perhaps and even more importantly, it is the fact that “the unfinished” allows the observer to participate actively, that is, each observer participates in the creation of the work. imagining possibilities and stories, stories that each one personalizes to suit.

The work ceases to be a finished product of the artist to become a collaborative and co-creative work where the artist and the observer work together. A wonderful concept I think.